relationship between camera and the human eye;
adjusting to lights – more light; less depth of field; less light more depth creating wider field
-Lossy
Codecs are defined/organized
into 3 main categories,
- Acquisition – uncompressed/low compression – high quality/large file size
- Intermediate – dictated by system/ format of acquisition: ‘proxy’ – lower resolution, lower bandwidth
- delivery – where is it going; internet; lossy’ codec (compression delivery codec)= low bandwidth , e.g H.264 cinema – uncompressed; codecs e.g Jpeg 2000 Cinema DNG
Raw: over expose – more to work with
exposure; amount of light hitting the film/sensor
over exposure; washed out; what
can be stopped by diffusers;
Ansel Adams – landscape photographer
Zone system – works in black to white; camera sees b&w;
Skin tones.
dynamic range
measured in stops of light
F stops – stills
T stop – accurate – light passing through the lens
F1.4 – T stop. T1.5
dynamic range – more to shoot; play.
BMC 13 dynamic stops of range
waveform – 100 ire
highlights black no lower than zero
In photography and optics, a neutral density filter orND filter is a filter that reduces or modifies the intensity of all wavelengths or colors of light equally, giving no changes in hue of color rendition. It can be a colorless (clear) or grey filter.
A waveform is the shape and form of a signal such as a wave moving in a physical medium or an abstract representation. In many cases the medium in which the wave is being propagated does not permit a direct visual image of the form.
shutter speed; go up by 50th
172 –
SOUND:
Technical Aspects of sound recording
even order harmonics.
Planning;
Including animals to increase the difficulty involved in movement and colour correction,
Rottweiler/
Story 2:
a women/girl sleeps; dreams of running screaming away from danger;
every night.
cut to one day, shes in the same place the dream happens, runs like SHITTTTTTT
movement included with animals;
S
Melmane Shake 